Concern about the end of the world is as old as sapient man. No doubt the trauma of the Romans who lived through the brutal sack of their city in 410 A.D. led them to believe the sky had fallen and the sun would not rise the next day. Even the early Christians, followers of … Continue reading Ovid’s Reminder to Love in the Midst of War (“Amores” 1.9)
History
Literary Tales Ep. 7: Gulliver’s Travels and the Art of Philosophical Satire
In this episode of Literary Tales we examine Jonathan Swift's incredible mock and satirical travel work, Gulliver's Travels. In this lecture we explore the work as principally a philosophical satire through Gulliver's journeys leading to his insanity and dehumanization. Ruminations on philosophy, theology, and John Milton are included. This lecture is based off my essay, … Continue reading Literary Tales Ep. 7: Gulliver’s Travels and the Art of Philosophical Satire
Literary Tales Ep. 6: Virgil’s Aeneid
In our next episode of Literary Tales we focus on the grand Latin epic that T.S. Eliot called "our classic." Virgil's Aeneid is a grand construction of history and memory more-so than mythos and pathos. The imagery Virgil uses to drive the story forward is the principal focus in this lecture; we discuss how Virgil … Continue reading Literary Tales Ep. 6: Virgil’s Aeneid
Karl Marx’s Dialectical Historicism
One of the core elements to Karl Marx’s philosophy was his dialectical materialism and historicism, which come together in his dialectical historicism. Most people are probably familiar with it. There are five distinct stages (or epochs) of history: slavery, feudalism, capitalism, socialism, and communism. But the movement of history is not linear-progressive, it is cyclical; … Continue reading Karl Marx’s Dialectical Historicism
Virgil’s Use of Consciousness, Memory, and History in “The Aeneid”
The grandest image of Virgil’s Aeneid is the shield forged by the god Vulcan in the eighth book of Aeneas’ adventure to “Lavinian shores and Italian soil.” Virgil pays homage to Homer, his master and mentor, who also describes a grand image on a shield forged by the gods for Achilles. But where Achilles’ shield … Continue reading Virgil’s Use of Consciousness, Memory, and History in “The Aeneid”
Leo Strauss on the Three Waves of Modernity
Leo Strauss (1899-1973) was one of the most important historians of political philosophy in the 20th century. A Jewish emigre to America in the 1930s, Strauss made his name as an exegete of the classics (Plato, Aristotle, and Thucydides especially; Al-Farabi, Avicenna, and Maimonides among Arab-Islamic and Jewish medieval philosophers, and Sts. Augustine and Thomas Aquinas … Continue reading Leo Strauss on the Three Waves of Modernity
The Anatomy and Specters of Fascism, VII: Islamism
In concluding our series in examining fascism, its roots, its concrete manifestations, and its legacies, we have noted what is fascism and what is not fascism. The common threads of fascist thought include: the synthesis of the people with the state for militaristic and warring ends (since conflict defines life through and through), that fascism’s … Continue reading The Anatomy and Specters of Fascism, VII: Islamism
The Anatomy and Specters of Fascism, V: Spain, Vichy, and the Nazi Allies
As we complete our tour and analysis of “historical fascism,” or what German scholar Ernst Nolte called “fascism in its epoch” (Der Faschismus in seiner Epoche, 1963), we turn to the more contentious historical movements that have sometimes been associated with fascism but scholars have generally regarded as not having been fascist (though certainly benefiting … Continue reading The Anatomy and Specters of Fascism, V: Spain, Vichy, and the Nazi Allies
The Anatomy and Specters of Fascism, III: Italian Fascism and Julius Evola
To understand fascism, it was necessary to begin with the Romantic Movement, otherwise one will not have a solid familiarity with the ideas that fascism sought to emulate, restore, and implement, as well as distort. In the history of fascism, especially in the 20th century, there are three key specters to examine: Italian fascism, German fascism, … Continue reading The Anatomy and Specters of Fascism, III: Italian Fascism and Julius Evola
The Anatomy and Specters of Fascism, II: Romantic Antecedents
In-of-itself, Romanticism is not a fascist movement or philosophy. But fascism drew upon the rich intellectual traditions of Romanticism, even if it distorted it some very important and meaningful ways. So what is Romanticism? Philosophical Romanticism was a counterrevolutionary intellectual and artistic movement that arose in the late Enlightenment. It was starkly opposed to Enlightenment … Continue reading The Anatomy and Specters of Fascism, II: Romantic Antecedents
