Catholicism and the Gothic Psyche, (3/3): The Aesthetics of Horror and the Splendor of God

In this final exposition of Catholicism and the Gothic, we shall turn to the obvious in Gothic aesthetics and the quintessential characteristic of the traditional post-Carolingian aesthetic of Catholicism: The aesthetic of horror. “Fear of the Lord is the beginning of wisdom.” Fear of the Lord as the beginning of wisdom is an integral aspect … Continue reading Catholicism and the Gothic Psyche, (3/3): The Aesthetics of Horror and the Splendor of God

Catholicism and the Gothic Psyche, (2/3): Sex, Violence, and the Origins of the Sacred

Gothic horror often deals with sexuality, sexual torment, and graphic violence. One of the common polemical retorts against Catholicism is that it is obsessed with sexuality, sexual violence, and blood imagery. But how did Catholicism arrive at this nexus of the intersectionality of sex, violence, and the sacred? The Biblical account is unclear whether Adam … Continue reading Catholicism and the Gothic Psyche, (2/3): Sex, Violence, and the Origins of the Sacred

Catholicism and the Gothic Psyche (1/3): Depth, Depravity, and the Restlessness of Man

The image of the Gothic is something usually depicted as something dark, depressing, and horrifying. The Gothic was, for a time, nearly synonymous with Catholicism, especially in the Protestant world where Gothic was associated with darkness and superstition like Catholicism was depicted as being—and this was reinforced and propagated by British Gothic horror often being … Continue reading Catholicism and the Gothic Psyche (1/3): Depth, Depravity, and the Restlessness of Man