“Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime, that is, it is productive of the strongest emotion which the mind … Continue reading Terror, the Sublime, and Catholicism
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Nihilism, Video Games, and the Art of Aesthetical Immersion: Or Why “Life is Strange” Was an Amazing Game
Later this year, my contribution to an anthology on pedagogy dealing with narrative and persona immersion in religion should be published. Drawing on St. Augustine, Carl Jung, Joseph Campbell, and Walter Ong, I was arguing that the special relationship between religion, orality, and the synthetic relationship between the monomyth to the human psyche, will ensure … Continue reading Nihilism, Video Games, and the Art of Aesthetical Immersion: Or Why “Life is Strange” Was an Amazing Game
The Spectacular Violence of the Greek Gods: Hesiod, Homer, and Greek Theodic Tradition
The decline of cultural Christianity, along with intellectual Christianity, has brought with it a debased Atheism without consciousness, inspiration, or stories. It has also been met by a renewed and vigorous neo-“paganism.” The romantic mind of these new pagans, many associated with the so-called Alt-Right, present the portrait of a redeemed paganism that was—ironically—the product … Continue reading The Spectacular Violence of the Greek Gods: Hesiod, Homer, and Greek Theodic Tradition
Redeeming the Chariot: The War in Heaven in “Paradise Lost”
John Milton’s Paradise Lost is, without argue, one of the triumphs of the Christian imagination. Taking the story of the War in Heaven and giving it detail, especially in Book VI, Milton also makes constant usage of classical and biblical imagery and references to bolster his lively and imaginative retelling. As Raphael tells the story … Continue reading Redeeming the Chariot: The War in Heaven in “Paradise Lost”
