In our exploration of Dante’s Inferno I wish to highlight, in some greater detail, what has already been referenced to in our previous posts, but also bring additional emphasis upon Catholic teaching and how it impacts the construction of Hell from Dante’s pen. Why is hell cold and dark? Color and Image Symbolism Dante’s hell is … Continue reading The Allegory and Symbolism of Dante’s “Inferno”
Hell
The Love & Friendship of Dante and Virgil in the “Inferno”
In continuing our examination of some of the themes of Dante’s Inferno, we now turn to examine the transformative relationship between Virgil and Dante within the first part of the Divine Comedy. The theme of guide and relationship runs throughout the Divine Comedy. Virgil is Dante’s guide through Hell and Purgatory. Beatrice takes over for Virgil and … Continue reading The Love & Friendship of Dante and Virgil in the “Inferno”
Catholicism and the Gothic Psyche, (3/3): The Aesthetics of Horror and the Splendor of God
In this final exposition of Catholicism and the Gothic, we shall turn to the obvious in Gothic aesthetics and the quintessential characteristic of the traditional post-Carolingian aesthetic of Catholicism: The aesthetic of horror. “Fear of the Lord is the beginning of wisdom.” Fear of the Lord as the beginning of wisdom is an integral aspect … Continue reading Catholicism and the Gothic Psyche, (3/3): The Aesthetics of Horror and the Splendor of God
